Tuesday, October 13, 2015

OUGD403 - Studio Bref 1 - Kern Down

Today's lecture included some knowledge on different examples of kerning software. It also included some descriptions of common problematic letter pairs when kerning. Some of the common problematic glyphs when kerning include V, W and Y in both uppercase and lowercase

Metric kerning uses kerning pairs which are in built to the typeface which automatically adjusts the space between problematic pairs. Some of the examples are LA, P., To, Tu, Ty, Wa, WA, We, Wo, Ya, and Yo

Optical kerning adjusts the spacing between adjacent characters based on their shapes. It assesses the shape of a letter and decides which will be the best layout of the type.

These two are both pieces of software which have been updated over the years of digital type.
Manual kerning is much more bespoke to a brand and is the best way to space letters in a unique way.

A way to help us better understand this manual method of kerning was a practical exercise called kern down. by using 5 letters, we had to rearrange them into sequences of kerned alternatives to different styles of company's.


The image below was a kerned example of a typeface for a search engine




The two above are a car company and an arts & crafts store


The next exercise was to use only 3 letters to come up with typeface branding for different company's. The examples below are different kerned alternatives for the following


Pest control company


Condom Company


Student Night Out


Luxury Car Manufacturer


Quentin Tarentino Film


Children's TV Channel


This exercise really made me understand the importance of kernig and that slight differences car represent different meanings for a company and can foreshadow what the company is. The fonts are exactly the same however, they represent different company's on opposite ends of every genre. The spacing between letters can portray a language to the viewer and can explain details about the company without the viewer consciously knowing. For example the tight kerning on the pest control company typeface can relate to how he will be working in tight conditions to exterminate the bugs, cellars, attics, floorboards and behind walls. It also portrays that the company is a tight unit and that their is no room for error and that he will exterminate all the pests. The viewer does not think about all these details straight away but their minds can automatically read the signals. If the kerning was extremely far apart then it would portray that they are very open and the pests can easily get away or run free. Without acknowledgingly thinking this, a person can be subconsciously told these ideas about a company and can be drawn away from it without even knowing why.

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