The final piece was exhibited alongside a set of headphones and a small MP3 player. This allowed the viewer to simultaneously experience the audio alongside the visual response. Keeping the piece purely black and white focuses the viewers attention towards the shapes and movements of the brush strokes. By keeping the canvas monotone, the production methods and design decisions are completely derived from the musical sound waves, and not a representation of my personal emotions towards the piece. Any use of colour would have been a representation of what I perceived listening to the music and not a pure expression of the musical tones.
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